Discography


[2007] Panda Transport

[Jun 2009] Plush Mechanique

[Dec 2009] Monorail

Land, air, and ocean … today’s theme is about that and also about vessels of transportation.

PANDA TRANSPORT
pandatransport.com myspace.com

According to Panda Transport’s biography, they are a Frenchman (Ti) and an American woman (Kat). They play a sort of low-fi indiepop music. Their EP, Monorail was released last month.

What I immediately like about the duo is that Kat’s sweltering vocals sometime makes their music sound like a lazy evening at a jazz club. However, the upbeat music can be as fun as on “Monorail” to somewhat silly “Freakshow” (complete with doo-doo-scat).

The one non-Kat song, “Cicadas in Stereo” definitely stands out. I’m also not certain what is being sung on this line: “I want to ____ every single butterfly“? Did I just hear that right?

You can hear their entire EP streaming at their official website.

I will say this, they’re cute, and their songs reminds me of one of my favorite band the Would-Be-Goods if they were to go jazz lounge. You can pick up Monorail digitally at usual (itunes, le amazon). Physical CD list can be found here (available last Tuesday?).





Tour Dates

 
01/23/10 Borders  Charlotte, NC
01/30/10 Borders  Apex, NC
01/21/10 Paris-Mann  Grill Canton, GA


Discography

[Oct 2006] End of the Ride

[Nov 2009] End of the Ride Revisited

PARIS KEELING
pariskeeling.com myspace.com

I will admit that what made Paris Keeling’s CD packaging for End Of Ride Revisited memorable was that it came with this cardboard plastic airplane. Which I did put together and had a twirl (it took a nose-dive and crashed).

Paris Keeling’s moniker should be obvious when you hear that it’s from their two main songwriters, Marty Paris and Kelly Keeling’s name. You can deduce this from hearing the introduction on their live track “Head Straight”. Speaking of which, I kind of wish there were more live tracks on this album. I think this is the band’s strong point, jamming and playing to an audience. You pick up the energy in the vocals, while their studio tracks seems too well-polished and produced.

As suggested by “Revisited”, this is the second release of End Of Ride. Based on seeing the tracklisting for the original release, this new version comes with a different track order and contain new songs (mostly at the end of the track order). Two songs were left out of the revisited album, “Welcome” and “Middle of the Road”, so I suspect due to the time limitation of the CD format.

It seems obvious to me that singer Paris Keeling’s been singing and playing for most of his adult life (a quick biography check tells me that he’s played on Alice Cooper’s Hey Stoopid, so the guy’s been around!).

The new revisited songs started with an aggressive guitar song, “Don’t Disturb The Occupants”, so I thought the band’s new direction would be more hard-rock … but I was quickly corrected with a ‘sensitive’-type song, “Feel”, and acoustic-ish “Alive”.

The one stand-out track for me is the all-guitar song “I Learned from the Inside”, which demonstrate what an excellent guitar player Marty Paris is. As I previously mentioned, I think this band will be at their best by playing live to an audience. They are doing some instores and appearing live at the end of January, check them out if you’re in the area.


Tour Dates

 
01/21/10 Beaumont Club – SOLD OUT!! Kansas City, Missouri
01/22/10 Diamond Ballroom – SOLD OUT!! Oklahoma City, Oklahoma
01/23/10 The Pageant- SOLD OUT!! St. Louis, Missouri
01/24/10 Egyptian Room at Murat Center – SOLD OUT!! Indianapolis, Indiana
01/26/10 Majestic Theatre – SOLD OUT!! Madison, Wisconsin
01/27/10 Madison Theatre – SOLD OUT!! Covington, Kentucky
01/28/10 Lifestyle Communities Pavilion- SOLD OUT!! Columbus, Ohio
01/29/10 Ram’s Head Live – SOLD OUT!! Baltimore, Maryland
01/30/10 Norva Theater – SOLD OUT!! Norfolk, Virginia
02/01/10 Music Farm – SOLD OUT!! Charleston, South Carolina
02/02/10 Freebird Live – SOLD OUT!! Jacksonville Beach, Florida
02/03/10 The Ritz Ybor – SOLD OUT!! Tampa, Florida
02/04/10 Culture Room – SOLD OUT!! Ft. Lauderdale, Florida
02/05/10 House of Blues – SOLD OUT!! Orlando, Florida
02/06/10 The Melting Point – SOLD OUT!! Athens, Georgia
02/08/10 WorkPlay Theatre – SOLD OUT!! Birmingham, Alabama
02/09/10 Varsity Theatre – SOLD OUT!! Baton Rouge, Louisiana
02/10/10 Revolution Music Room – SOLD OUT!! Little Rock, Arkansas
02/17/10 Komedia Theatre Brighton, UK
02/18/10 Electric Ballroom **VENUE CHANGED** London, UK
02/19/10 O2 Academy Oxford Oxford, UK
02/20/10 O2 Academy 2 Newcastle Newcastle, UK
02/21/10 O2 Academy 2 Birmingham Birmingham, UK
02/22/10 Manchester Academy 2 Manchester, UK
02/24/10 Melkweg – SOLD OUT!! Amsterdam, Netherlands
02/25/10 Orangerie – Botanique Brussels, Belgium
02/26/10 Le Nouveau Casino Paris, France
02/27/10 Die Werkstatt Cologne, Germany
02/28/10 59 to 1 Munich, Germany
03/01/10 Magnet Berlin, Germany
03/02/10 Amager Bio Copenhagen
03/12/10 Great Hall, Auckland Town Hall (w/ Cobra Starship) Auckland, Auckland
03/14/10 SMX Convention Center, Hall 1 & 2 Manila
03/16/10 University of NSW Roundhouse (w/ Cobra Starship) Sydney, New South Wales
03/17/10 The Tivoli (w/ Cobra Starship) Brisbane, Queensland
03/19/10 The Hi-fi (w/ Cobra Starship) Melbourne, Victoria
03/20/10 The Hi-fi (w/ Cobra Starship) Melbourne, Victoria
03/21/10 Metro City (w/ Cobra Starship) Perth, Western Australia
03/30/10 Knitting Factory Boise, Idaho
03/31/10 Knitting Factory Spokane, Washington
04/01/10 Paramount Theatre Seattle, Washington
04/02/10 Vogue Theatre Vancouver, British Columbia
04/03/10 Roseland Theatre Portland, Oregon
04/05/10 The Fillmore San Francisco, California
04/06/10 The Fillmore San Francisco, California
04/07/10 The Fox Theater Pomona, California
04/08/10 Soma San Diego, California
04/09/10 Club Nokia Los Angeles, California
04/10/10 Marquee Theatre Tempe, Arizona
04/12/10 Salt Air Theater Magna, Utah
04/13/10 Ogden Theatre Denver, Colorado
04/15/10 Stubb’s Waller Creek Amphitheatre Austin, Texas
04/16/10 Verizon Wireless Theater Houston, Texas
04/17/10 Nokia Theatre Dallas, Texas
04/19/10 War Memorial Auditorium Nasvhille, Tennessee
04/20/10 The Tabernacle Atlanta, Georgia
04/22/10 Constitution Hall WASHINGTON, Washington DC
04/23/10 House of Blues Boston, Massachusetts
04/24/10 Terminal 5 **MATINEE ADDED!** New York, New York
04/24/10 Terminal 5 – SOLD OUT!! New York City, New York
04/25/10 Electric Factory Philadelphia, Pennsylvania
04/27/10 Sound Academy Toronto, Ontario
04/28/10 House of Blues Cleveland
04/29/10 Royal Oak Music Theatre Detroit, Michigan
04/30/10 Aragon Ballroom **VENUE CHANGED** Chicago, Illinois
05/01/10 State Theater **MATINEE ADDED!** Minneapolis, Minnesota
05/01/10 State Theatre Minneapolis, Minnesota
05/02/10 Eagles Ballroom Milwaukee, Wisconsin

Discography

[2008] Maybe I’m Dreaming

[2009] Ocean Eyes

OWL CITY
owlcitymusic.com myspace.com

Universal Records sent me this promo to listen to last year. At first, I didn’t know why they’d do such a thing, I’m actually not a big fan of pop music. And I loathe autotune. But then, as I found out talking to a local blogger at a concert last year that I was told that Owl City is some dude in his basement who lives in Minnesota. We thought that was so weird, considering that Owl City is the hottest/best-selling on the Billboard Top 100 (for “Fireflies”). As it is, Owl City is the stage name of Adam Young…. and his certified “Gold” album is called Ocean Eyes.

So. All of Owl City’s songs are autotuned (with the exception of “Vanilla Twilight”?). I guess this is just the state of modern pop music. Just check out all the top forty bands and they’re using it. I guess I don’t really get it. Of course, I also don’t understand the Lady Gaga, who every young person I know is in love with her.

Anyway, I even made a point to listen to Owl City’s hit song, “Fireflies”. It was OK. I can see why people would like this song about being an insomniac, especially that line “I’d like to make myself believe that planet Earth turns slowly“.

If I were to pick some good songs, I did like “Umbrella Beach”, “The Tip Of The Iceberg” (for the fading in and out) and “The Saltwater Room” (mostly for the duet with Breanne Duren). Duren’s vocals was a nice change of pace, and incidentally I saw last year. I described her as a quiet girl with her Casio keyboard.

Well despite my not-so-fondness of Owl City, it looks like he’s doing quite well for himself. He’s playing to a bunch of sold-out shows, so if you are a fan, I suggest picking up tickets before they sell out. I am definitely not the demographic for Owl City, but I’m happy to see this Minnesotan doing so extraordinary well.

PS, if you were wondering what’s on the cover, it is the hotel Burj Al Arab

 01/08/2010 00:51:38  vu () weheartmusic.comtwitter.com/weheartmusicnews.weheartmusic.com

Leave a Reply

Discover more from W♥M

Subscribe now to keep reading and get access to the full archive.

Continue reading