Tour Dates

02/09/24 – White Pine, MI – 34th Annual Midwest Telefest
06/27/24 – Eau Claire, WI – 10th Blue Ox Music Festival
06/28/24 – Eau Claire, WI – 10th Blue Ox Music Festival
06/29/24 – Eau Claire, WI – 10th Blue Ox Music Festival

Humbird opened the evening as the crowd slowly ambled in. We caught them at the Fine Line exactly a month ago, opening for Mipso. Again it was Siri Undlin on lead vocal and guitar with Pat Keen on upright bass providing some grooved solos with a “Go Pat Go!” coming from the crowd.

After launching into a funky space duo in “Free Life,” Undlin said she just released a new song “Child of Violence” and it was the first time she got hate mail, which she and Keen welcomed, but wanted to hear it face-to-face, preferably at the merch table.

To get into the holiday spirit they invited their friend, Clifton on fiddle, to the stage to play a “deranged” Xmas song. It was not so much psychotic as a haunting lament with loose strands of “Greensleeves” hemmed throughout.

Them Coulee Boys were up next and I’m glad that they were part of the festivities for I missed part of their set while trying to get into The Old Crow Medicine Show in October. It was their third time on the First Avenue stage and Beau Janke set aside his electric banjo to say being on there was not lost on him. “We’ve been down there hoping to be up here.”

They made the most of it with an electrified, rollicking good time with Janke joined by Soren Staff on guitar, Jens Staff on mandolin, Neil Krause on bass and Staš Hable on drums. Their music is infused by Americana but most definitely amped up and electrified, especially during the crowd favorite “10ft. Tall.”

You have to wonder how a traditional form of music that has roots in the southeastern part of the country found a prominent foothold in the Twin Cities. I read more than one article that says the impetus may have come from the Grammy award-winning soundtrack to the movie “Oh Brother, Where Art Thou?” Which is funny considering the movie was written and directed by two brothers from St. Louis Park, MN, Joel and Ethan Coen, neither who probably ever picked up a fiddle or banjo.

The members of Pert Near Sandstone are also from the Twin Cities suburbs, Brooklyn Park and Maple Grove. They first got into music by playing in heavy metal and ska bands. But as their music lessons progressed they too were caught by infectious music of bluegrass. And for almost twenty years they have been playing music that is impossible not to dance to, mainly because their percussionist, Andy Lambert, wears a pair of clogs. He was joined on stage with Nate Sipe on fiddle and mandolin, Kevin Knibel on banjo, J Lenz on guitar, Chris Forsberg on fiddle and Justin Bruhn on bass.

After a few break-neck songs, Sipe said they were going to slow things down a bit. Then they launched into “Twenty Cups of Coffee” which indicated that the band had no intention of slowing down, even inviting members of the Wild Goose Chase Cloggers to join in with Lambert throughout the evening.

Pert Near Sandstone has a new album out, their eighth, Waiting Days. And they took the opportunity with the album to expand their musical vocabulary as in “Gathering Clouds” when they invited Jason on trumpet and Max on saxophone to help add some Spanish flair to the song. Then there was “Out of Time” written by Lenz who was asked by the members of the band, “Why are your songs so dark?”

The album was produced by Ryan Young who is not only the fiddle player for Trampled by Turtles, but was a founding member of Pert Near Sandstone. He even joined the band on stage and it was the highlight of the evening to see him, Sipe and Forsberg take over with a foot-tapping trio.