Sir Chloe at First Avenue, Minneapolis (October 24, 2025)
Sir Chloe held court with an impressive rock concert at First Avenue in Minneapolis.
A concert review is a critical evaluation of a live music performance, covering the artists, structure, venue, and overall audience experience to place the show in a wider context. Rooted in 18th-century music criticism, these reviews analyze performances to assess quality, often comparing them to other shows
Sir Chloe held court with an impressive rock concert at First Avenue in Minneapolis.
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The Miki Berenyi Trio played at the Turf Club in St. Paul, and even though Berenyi was fighting off a cold, the band more than delivered.
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The Magnetic Fields have kept a good thing going by taking their 69 Love Songs tour international. This is, if the internet is to be believed, the 100th to 115th or so performance of 69 Love Songs in its entirety over two nights. I have now seen three of them. Pretty sure that puts me in the top five, or top two even, for number of shows seen by one person. I fancy myself a bit of an expert now. So, sit back and let me describe the show to you as someone who is practically in the band at this point.
Jonathan Richman returned to First Avenue with drummer Tommy Larkins for a phone-free night of unfiltered sincerity. Mixing new songs from Only Frozen Sky Anyway with old favorites, Richman danced between languages, laughter, and tenderness — proving again that simplicity, delivered honestly, can still rock a crowd.
Madilyn Mei played to a packed house and a very young crowd at Amsterdam Bar and Hall in downtown St. Paul.
Australian rock band DICE, alongside opener Ray and Paul delighted a Turf Club audience on their stop in St. Paul.
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Bob Mould was playing the first of two solo Twin Cities shows, and unsurprisingly, played like the rock legend he is.
Manchester trio GoGo Penguin brought their intricate, guitar-free blend of jazz and electronica to the Fine Line. Surrounded by keyboards, laptops, and acoustic drums, they delivered dizzying polyrhythms and luminous tension. Bassist Nick Blacka anchored the chaos.
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Twenty-one years after their last Minnesota show, Grandaddy returned to First Avenue to perform The Sophtware Slump in full. Note-perfect and emotionally heavy, the set traced millennial dread and fragile hope before loosening into celebratory encores—including birthday cake for guitarist Jim Fairchild. Vermont’s Greg Freeman opened with a beautifully restrained set.
British band elbow played a great show at First Avenue, with a full band creating some amazingly layered sounds.
Australian guitar-pop sensations duo Royel Otis played a crowded Uptown Theater (after being brought indoors and upgraded from GrindersKC) in midtown Kansas City, in support of their second full-length, hickey, released in August (via Ourness/Capitol Records). Explaining the album title, the pair has said "…because love bites harder than any other emotion in the world."
Alright, another Twin Cities music venue under my belt as the Green Room played host to co-headliners, Caroline Kingsbury and Maris. It’s a fun, intimate venue with plenty of great sightlines. The balcony allows for great views of the stage; straight on you still fell plenty close, and from the sides you feel like you’re practically on stage. When I review shows, I tend to move about and really couldn’t find a bad spot. If you haven’t been, check it out.
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