Concert Review

A concert review is a critical evaluation of a live music performance, covering the artists, structure, venue, and overall audience experience to place the show in a wider context. Rooted in 18th-century music criticism, these reviews analyze performances to assess quality, often comparing them to other shows

Magnetic Fields at Union Chapel, London (October 14th and 15th 2025)

The Magnetic Fields have kept a good thing going by taking their 69 Love Songs tour international.  This is, if the internet is to be believed, the 100th to 115th or so performance of 69 Love Songs in its entirety over two nights. I have now seen three of them. Pretty sure that puts me in the top five, or top two even, for number of shows seen by one person. I fancy myself a bit of an expert now. So, sit back and let me describe the show to you as someone who is practically in the band at this point.

Jonathan Richman at First Avenue (October 16, 2025)

Jonathan Richman returned to First Avenue with drummer Tommy Larkins for a phone-free night of unfiltered sincerity. Mixing new songs from Only Frozen Sky Anyway with old favorites, Richman danced between languages, laughter, and tenderness — proving again that simplicity, delivered honestly, can still rock a crowd.

GoGo Penguin at Fine Line, Minneapolis (October 7, 2025)

Manchester trio GoGo Penguin brought their intricate, guitar-free blend of jazz and electronica to the Fine Line. Surrounded by keyboards, laptops, and acoustic drums, they delivered dizzying polyrhythms and luminous tension. Bassist Nick Blacka anchored the chaos.

Grandaddy at First Avenue, Minneapolis (October 8, 2025)

Twenty-one years after their last Minnesota show, Grandaddy returned to First Avenue to perform The Sophtware Slump in full. Note-perfect and emotionally heavy, the set traced millennial dread and fragile hope before loosening into celebratory encores—including birthday cake for guitarist Jim Fairchild. Vermont’s Greg Freeman opened with a beautifully restrained set.

Royel Otis at Uptown Theater, Kansas City MO (2025-10-03)

Australian guitar-pop sensations duo Royel Otis played a crowded Uptown Theater (after being brought indoors and upgraded from GrindersKC) in midtown Kansas City, in support of their second full-length, hickey, released in August (via Ourness/Capitol Records). Explaining the album title, the pair has said "…because love bites harder than any other emotion in the world."

Caroline Kingsbury and Maris at Green Room, Minneapolis (October 4th 2025)

Alright, another Twin Cities music venue under my belt as the Green Room played host to co-headliners, Caroline Kingsbury and Maris.  It’s a fun, intimate venue with plenty of great sightlines.  The balcony allows for great views of the stage; straight on you still fell plenty close, and from the sides you feel like you’re practically on stage.  When I review shows, I tend to move about and really couldn’t find a bad spot.  If you haven’t been, check it out.