Jeremy Jay @ 7th Street Entry, Minneapolis – July 26th

Tour Dates

08/09/08 Lucky 7 House, Olympia, WA
08/14/08 CLUB POP SEATTLE, WA
08/16/08 LUIGIS FUN SACR, CA
08/18/08 CLUB DONUT SF, CA
09/16/08 KARRERA CLUB  BERLIN
09/19/08 NIUWE ANITA  AMSTERDAM
09/20/08 SOUTH POP FESTIVAL
09/21/08 ZXZW FESTIVAL TILBURG
09/22/08 ASTRA TUBE CLUB
09/23/08 MAGIC MAGAZINE PARTY@fleche d’or PARIS
09/24/08 KB MALMOE
09/25/08 Blaa OSLO
09/26/08 UNION ROCK DRAMMEN, Oslo
09/27/08 Fritz´s Corner @ Debaser Slussen STOCKHOLM
09/30/08 COLMAR GRILLEN
10/01/08 TBA CLERMONT
10/02/08 CRI DE LA MUETTE TOULOUSE
10/03/08 Emporium Galorium ROUEN
10/04/08 Mains d’Oeuvres PARIS
10/05/08 FREEBUT BRIGHTON
10/06/08 BARFLY LONDON
10/07/08 THE LIBRARY LEEDS
10/08/08 BARFLY GLASGOW, Scotland
10/09/08 BLACK BOX BELFAST
10/10/08 Upstairs @ Whelans capDUBLIN
10/11/08 CYPRESS AVENUE CORK
11/26/08 TROUBADOUR BRISBANE
11/27/08 HOPETOWN  SYDNEY
11/28/08 ROXANNE MELBOURNE
11/29/08 QUEENSCLIFF FOLK FEST
12/07/08 HOLOGRAM ANGEL, CA

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Recently it’s been brought to my attention that 6’3” is not ‘that’ tall (it’s only ‘tall’).  Still, watching Jeremy Jay play on Saturday, all 6’3” of him, I understood why he appears that tall.  There’s a gangly unease to his presence; he’s mostly arms and legs, with a flop of pale hair and a crinkly smile.  Something about him inspires the word ‘dapper’ (perhaps the heeled loafers), and yet his physical gravitas is underplayed by the fact that he seems really nice (perhaps because of the oversized Corona that befriended his hand all night)

 

 

Jay performed selections from A Place Where We Could Go, his latest release (April 2008), Airwalker (2007 EP), and Alpharhythm, a shiny curiosity that’s as booty shaking as a mellow 60s throwback can be.  “Heavenly Creatures,” one of my favorite tracks from A Place, didn’t differ much from the album version in execution; it was just better.  Truthfully, all the songs were better live (a statement proved true by my concert companion who said “he’s better live” and “I like this”).

It’s always special when a musician improves himself on stage.  Jay plus band had a richer sound and a more inviting presence.  While A Place envisions a sort of sparse alternaverse, where Lynch meets Howard Hawks and every moment is like opening the door to Oz (you know, trippy but logical), the show felt comfortably austere.  Jay’s style still fluctuated between vintage noir and downtown hipster, but his attitude was mostly blasé.  He rocked out a bit, funked it up a smidge, and even tackled the underappreciated Blondie ballad “Shayla” without ruining it forever.  Moreover, as if to befit the Entry’s seedy punk club-meets-rapist’s basement ambience, his pretty croon sounded sort of sexy, in a dirty, non-cardigan-wearing way (as opposed to his clean-cut, cardigan-wearing self).  By the end of the show, JJ’s good boy image was ruffled some, thanks to that sexy voice and also thanks to large bottles of Corona.  (Thanks, large bottles of Corona.)

 

Jeremy Jay is still on tour.  He’s tall (but not that tall), nice, and may need a floor to sleep on.  If you have a spare floor (or like music), check out the tour dates.  You can find more information on his K Records page (www.krecs.com) or his Myspace (www.myspace.com/jeremyjay).

 

Links: myspace.com/jeremyjay desolationwilderness.net www.krecs.com

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